Retrospective
Noah’s Barks retrospectives.
Noah’s Barks retrospectives.

I reminisce about one of the music acts most responsible for breaking me out of my high school "classic rock" phase. (read more)

(Original publication date unknown) We all know Psychocandy, the landmark album to introduce writing songs with noise. Yeah, The Velvet Underground were one of the first to use noise feedback in their songs, but they used it in a more abrasive manner, writing songs around the noise, where The Jesus and Mary Chain (JaMC) chose to work… (read more)
(Original publication date unknown) For someone who’s into a lot of “indie/alternative” music, I don’t think anything gets me more puzzling looks from like-minded listeners than the fact that I really like Van Halen. It seems younger, “hipper” music fans are, in increasing amount, rejecting anything labelled as classic rock out of nothing more than… (read more)

What’s there to like about a band as repulsive as Big Black? Well, I can think of a few things. (read more)

(Original publication date unknown) There are few artists as expressive as telling a story as Comus. I wrote a bit about it in my review for First Utterance, particularly for their song “Diana,” but it’s true for their entire library (small as it is). Roger Wootton gets incredibly into the macabre stories he tells, yelping… (read more)

(Original publication date unknown) Oh ho, neighboring music nerds. So you want me to apologize for my love of Foo Fighters? Call them a “guilty pleasure?” Say the usual stupid image-preserving apologies like “I like them, but they aren’t objectively good?” Tough luck. Foo Fighters are great. Foo Fighters kick ass. Foo Fighters are possibly… (read more)

It’s not easy making people who aren’t Nirvana fans understand. In fact, I’m inclined to say it’s downright impossible. You have to hear them at just the right time, at just the right moment in life to feel what they’re trying to say in their music. For a comparison, it’s like The Catcher in the… (read more)