The romance of France blooms alive when paired with the bright pastel colors and the light, string-heavy score of Yann Tiersen, but Amélie herself is quite unlikable. Audrey Tautou’s awkward movements are all with self-satisfied intent, each flick of the wrist coming across as planned instead of natural. It’s no surprise, then, that Amélie managed to turn quirkiness into a fashion. The vanity of this charade quickly gets annoying.