It’s the production that really makes City of God what it is: a symphony of a city God has overlooked, with any traces of light dying or being diverted through frantic, fragmented shots of always ugly chaos no matter what color feelings they’re behind. It’s easy to get swept away in this maelstrom, and with your focus always being shifted you can’t make any sense of it either. You’re just watching the storm play out. Truly vibrant filmmaking elevates City of God‘s familiar story and characters.

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