Yes, the premise sounds cute. For a half-hour, I’m a Cyborg, But That’s OK even feels cute, but the film’s devotion to setting building over plot can’t sustain itself due to the strangling nature of this schizophrenic hospital’s culture. Deciphering the meaning of many scenes is a waste, because when you do, it never pays off much. The empathy pillar that Park Chan-wook attempts to build keeps crumbling. Beautiful to look at, as expected from Chan-wook, but mostly a babbling, obnoxious bore.