It’s a dark day when you see a Martin Scorsese movie that relies on jump scares. Every time the score of Shutter Island score got quiet I turned the volume down immediately to avoid damaging my ear drums. Pronouncing the twist in a mystery movie so obviously is baffling, but there’s really no defending it because the individual scenes lose their relevance when you know the reality behind them and they all serve to direct Leonardo DiCaprio towards these revelations. One can’t get invested in a false narrative.