The last of Polanski’s claustrophobic “apartment trilogy.” The themes start to run thin this time around. The mental deterioration is stronger in Repulsion, and the paranoia is much more real and sensible in Rosemary’s Baby. Though Roman Polanski does a fantastic job as the lead, the story is ridiculous and not remotely believable. To say Trelkovsky overreacts would be an understatement, especially considering he is otherwise sane. The Tenant is redundant, and indeed a little bit stupid.