Lizzy Mercier Descloux’s classy, lounge-esque vocals on “Tumour” coupled with its perverse, post-punk guitars imitating saxophones it an indisputable highlight. Press Color is generally not energizing enough to be a great dance-punk album, and doesn’t go far enough into no wave territory to be endearingly abrasive. The combination of two genres known for their energy and strong attitude should ideally make Press Color an album that demands anyone’s attention, but as it stands, it’s just not ambitious enough.