The Smashing Pumpkins
Noah’s Barks pages relating to music group The Smashing Pumpkins.
Noah’s Barks pages relating to music group The Smashing Pumpkins.

Buh buh buh, time to listen to the new Smashing Pumpkins album, Monuments to an Elegy. I’m a real fan, by the way. To prove it, I think the Machina albums are great alt rock all around, that Adore is actually their greatest, and Zeitgeist had a few great songs. I’m not fuckin’ married to… (read more)

The Smashing Pumpkins’s first album Gish arrived at the forefront of the coming alternative rock and grunge movement, and like other acclaimed bands of the time, the Pumpkins pioneered the new sound and attitude shift from the currently mainstream ’80s heavy metal/glam scene. The Pumpkins certainly know how to rock just as hard, and they… (read more)

I went through a phase of the music side of my life where I frequently said that I really liked double albums. This was when my experience with them was primarily the best stuff: London Calling, The Beatles, etc. It was only until I got around to listening to more double albums that I realized… (read more)

Zeitgeist is more of a disappointment than “bad,” if that makes sense. It’s disappointing because The Smashing Pumpkins have seemingly completely abandoned their layered, psychedelic sound. I liked Machina II, but Zeitgeist comes off as mostly standard modern alternative rock. The things that keep it above that are Corgan’s distinctive voice and excellent guitar playing,… (read more)

On The Smashing Pumpkins’s fourth studio album, the band trades in its guitar heavy grunge-influenced playing for the more subtle, sensual textures that pervaded the band’s previous album, Mellon Collie and the Infinite Sadness. Gone are the roaring guitar and vocal screams of Billy Corgan, replacing them, the subdued synthesizers and mellow atmosphere of Adore.… (read more)