No End is both expected and peculiar in Kieslowski‘s oeuvre, as it contains both a humanistic drama and a legal/political one, but these two stories are separate and merely intertwine with a set of linked characters. One half displays the struggle of a woman grieving over her dead husband, while in the other a lawyer defends a man arrested for starting a strike. The “ghost story” of the first half brings Kieslowski’s Catholicism to light which had otherwise stayed out of his work. Mostly typical.