2000s
Noah’s Barks pages covering things related to the years 2000 to 2009, i.e. the 2000s.
Noah’s Barks pages covering things related to the years 2000 to 2009, i.e. the 2000s.

The original anime inspiration for my favorite TCG, and where we’d be introduced to ‘Yu-Gi-Oh!’s’ many great, utterly mishandled concepts. (read more)

While Shūzō Oshimi normally handles sexual content with tact, ‘Drifting Net Café’ is possibly his most exploitative work. How much does it drag the work down? (Warning: Review is currently only unedited notes.) (read more)

The fan translation of ‘Super Robot Wars: OGs’ by Kingcom is a monumental release and precious gift—but I do miss Atlus’s script. (read more)

Hiroya Oku’s ‘Gantz’ is exploitative, violent, and shameless—and there’s nothing else quite like it. (Includes ‘Gantz/Nishi’ and ‘Gantz Origins: Oku Hiroya and SF Movie Stories.’) (read more)

A pandemic threatens all of Japan in ‘Infected Island,’ a mediocre medical thriller written by Masasumi Kakizaki, author of ‘Rainbow’ and ‘Green Blood.’ (read more)

‘Emerging’ is a medical thriller about a deadly pandemic sweeping across Japan. It’s also really stupid. (read more)

At only one volume, ‘Goth’ is a fine read for horror and psychological thriller fans. Solid, noir-like art. I found much of the mysteries and character development to be either contrived or predictable. (read more)
![[Rec] 2](https://noahsbarks.com/wp-content/uploads/2025/02/rec-2.jpg)
‘[Rec] 2’ wastes no time showing it understands nothing about what made the original work, with irrational characters and a senseless plot. (read more)

‘The Mist’ is incredibly dumb. The social commentary is overly contrived with its forced, quick pacing and is on-the-nose to the point of losing all actual relevance to the real world. (read more)

A departure from his usual modus operandi, Junji Ito’s ‘Mimi’s Tales of Terror’ sees him adapt an anthology series covering Japanese urban legends. (read more)