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Movies

Noah’s Barks pages relating to films, movies, etc. Most are imported reviews from Criticker, a site with a 500-word limit. Please keep that in mind. There are many reviews yet to be imported!

To avoid clutter, anime movie reviews are kept on the anime page.

Cover art for "The Hudsucker Proxy"

The Hudsucker Proxy

The only reason I can think of why The Hudsucker Proxy isn’t seen as one of the better films from the Coens is because its spitfire dialogue is so fast and witty that it’s easy to miss a ton of…

Cover art for "The Killing"

The Killing

Sure, The Killing is a notable and influential blueprint for many future heist movies, but so many of those heist movies to come would be far more entertaining and better written than it. The running time is just too limited…

Cover art for "The Killing of a Chinese Bookie"

The Killing of a Chinese Bookie

The Killing of a Chinese Bookie is a John Cassavetes character study where a strip club owner is caught between his personal motivations and a mob hit job. Ben Gazzara puts on a fantastically subtle performance and hides his true…

Cover art for "The Maltese Falcon"

The Maltese Falcon

The Maltese Falcon succeeds as well as any mystery could by making nearly every single character a suspect. Anything could happen at any time, and everyone is involved in one large plot roped around one titular bird. Second-guessing every character’s…

Cover art for "The Man Who Wasn't There"

The Man Who Wasn’t There

The “series of unfortunate events” plot and dark humor through irony that’s so constant in the Coens’ writing starts to run very thin. It’s frustrating to know how every scene, how every line of The Man Who Wasn’t There will…

Cover art for "The Master"

The Master

If there is a cult theme here, it’s the cult of Paul Thomas Anderson; devotees so enamored by the excellent cinematography and intense performances in The Master that they believe there must be something more to it all. The Master…

Movie poster for "The Mist"

The Mist

‘The Mist’ is incredibly dumb. The social commentary is overly contrived with its forced, quick pacing and is on-the-nose to the point of losing all actual relevance to the real world.

Cover art for "The Neon Demon"

The Neon Demon

There’s some incredibly harsh imagery in The Neon Demon, complete with heavy, sharp, contrasting colors. This sleazy gloss accompanied by Cliff Martinez‘s distorted synthesizer compositions made me immediately think the movie had potential to be a favorite. But the style…

Cover art for "The Office"

The Office

Kieślowski captures accurately the experience of dealing with the cold, dreary government bureaucracy. Which means The Office, a five-minute short film, is every bit as painful to watch as it is to go through the machine. Just as I wish…

Cover art for "The Rocky Horror Picture Show"

The Rocky Horror Picture Show

An overtly sultry, affectionate tribute to several significant scenes of pop culture: horror and science fiction B-movies and—my favorite—glam rock. Tim Curry steals the show as Dr. Frank N. Furter. It’s impossible to keep your eyes off him—for many reasons.…

Cover art for "The Seventh Seal"

The Seventh Seal

The themes on mortality aren’t of any particular insight, but The Seventh Seal‘s heavily sullen atmosphere invisibly weaves a dark shroud over a revived and stoically breathing portrait of a suffering 14th century Europe. Not without its share of duller…

Poster for the movie, "The Shallows."

The Shallows

2016’s ‘The Shallows’ attempts to convert the classic horror-thriller shark attack formula into a slow-burn survival story. Will it succeed?

Cover art for "The Shining"

The Shining

The Shining is an expedition into the labyrinth of the id. Stanley Kubrick turns a ghost story into a tale about the very real demons of domestic abuse. Jack Nicholson kills it here, subtly revealing from the very beginning his…

Cover art for "The Straight Story"

The Straight Story

David Lynch’s unexpectedly, intensely sentimental The Straight Story doubles both as a tale of redemption and an empathetic and fair tribute to a more conservative era gone past, as reflected by one of many men who define it. Though as…

Cover art for "The Tenant"

The Tenant

The last of Polanski’s claustrophobic “apartment trilogy.” The themes start to run thin this time around. The mental deterioration is stronger in Repulsion, and the paranoia is much more real and sensible in Rosemary’s Baby. Though Roman Polanski does a…

Cover art for "The Umbrellas of Cherbourg"

The Umbrellas of Cherbourg

I’m heartbroken. Not because of the story of The Umbrellas of Cherbourg, but everything else. I love musicals and thought its concept of every spoken line being sung was brilliant. I saw the bright, blooming colors and that this was…

Cover art for "The Usual Suspects"

The Usual Suspects

Just knowing there’s a twist is bad enough. Why can’t people just keep their damn mouths shut? After all, The Usual Suspects is a lesson in such. Thanks to some very impressive editing, the exposition itself feels like the action.…

Cover art for "The Vanishing"

The Vanishing (Spoorloos)

Unforgettable ending, but what makes a truly great twist-film is when the scenes before it are strong enough to distract from the surprise and hold up on their own. The Vanishing is always engaging, but it’s mostly because of the…

Cover art for "The Warriors"

The Warriors

I recommend the Director’s Cut of The Warriors as it adds a few scenes that make more obvious its playfulness and pulpy influences which offsets the questionable machismo and misogyny. That aside, this is a great mini-classic with surprisingly good…

Cover art for "The Wicker Man"

The Wicker Man

The Wicker Man is instinctually disturbing and aided by an amazing folk soundtrack that’s alluring to the ear but conveys dark desire when contextually examined. It’s a perfect allusion for the clandestine nature of Summerisle. The Wicker Man potentially comments…

Cover art for "There Will Be Blood"

There Will Be Blood

There Will Be Blood is fantastic but can’t shake the feeling of wasted potential. The setting is underutilized and could’ve expanded on Daniel Day-Lewis’s character, grounding him in a historical realism. John D. Rockefeller is a controversial figure this could…

Cover art for "They Live"

They Live

The capitalist invaders in They Live aren’t exactly subtle, but they sure are funny. Camp even by John Carpenter standards, They Live is more for the converted: some great action, and even more comedic trope-poking than usual. Carpenter has made…

Cover art for "Three Colors: Blue"

Three Colors: Blue

Juliette Binoche does a remarkable job in displaying her characterization through her responses to her environment rather than dialogue. Equally due in part to the story’s emphasis on music, Three Colors: Blue is an affective, humanistic drama for all senses.

Cover art for "Three Colors: Red"

Three Colors: Red

I try to share my thoughts on every movie I watch, but Three Colors: Red has me tongue-tied trying to express how I feel. As I watched what first seems to be another lovely human drama in this great trilogy,…

Cover art for "Three Colors: White"

Three Colors: White

Lacks the humanistic drama that made Three Colors: Blue so affecting, but Three Colors: White succeeds in its own special way with its unique sense of comedy. Thanks to the 90-minute runtime, the storyline never develops at a dull pace,…

Cover art for "Throne of Blood"

Throne of Blood

Awesome, haunting stuff but I’ve noted in my other reviews that I’m a big fan of Akira Kurosawa‘s characterization through dialogue and there isn’t much of that in Throne of Blood. It has an extremely modest runtime for his career…

Movie poster for "Tickled"

Tickled

‘Tickled’ is a documentary exposé on an underground, internet tickling fetish group. A thrilling watch revealing what the powerful do behind closed doors.

Cover art for "To Live"

To Live

Between the moral platitudes, typical plot concept and progression until the last 50 minutes that just unnecessarily establish the point of the first 90, Takashi Shimura‘s total of two expressions, and that Akira Kurosawa has many better films under his…

Cover art for "Touch of Evil"

Touch of Evil

Touch of Evil is a gigantic, ruthless bore for the first half, making no effort to have an engaging hook: a murder mystery about a case where the victims or the crime itself don’t actually matter. The main story about…

Cover art for "Trainspotting"

Trainspotting

Comes a little too close to glorifying drug-induced hedonism, but Trainspotting saves itself eventually when it reveals its true, satirical nature. Leans a bit too much on playful comedy and not enough on drama for me, but anyone who knows…

Cover art for "Tramway"

Tramway

It’s charming to see that Kieślowski is still himself in his first film. Yet again a simple but poignant observation of ordinary people’s lives taking sudden major turns. It’s a story that’s happened to everyone. Still, though it may be…

Cover art for "Tron"

Tron

‘Tron’ is something everyone wants to love yet never will, but there’s many worse things something can be than a chic novelty.

Cover art for "Tron: Legacy"

Tron: Legacy

The criticism Tron: Legacy has gotten in comparison with the original is baffling and makes me wonder when was the last time many of these people have seen Tron. Yes, this is a very flawed movie but it’s flawed in…

Cover art for "Trouble Every Day"

Trouble Every Day

Some of the bloody imagery here is gorgeous, but most of Trouble Every Day is forgettable. The analogy of sex to cannibalism or murder is hardly anything fresh, and in its minimal approach the film fails to say anything more.…

Cover art for "Vampyr"

Vampyr

Unlike 1922’s Nosferatu, this “classic” is an absolute bore. Carl Theodor Dreyer‘s effects to create shadows in Vampyr are novel marvels, but aren’t worth even this 73 minute runtime. Dreyer’s lack of commitment to sound films results in a dry…

Cover art for "Venus in Fur"

Venus in Fur

It’s impressive and very pleasing to me as a fan that Polanski has still not lost himself after decades of films. Akin to many of his works, Venus in Fur is a single-setting psychological playground where Amalric and Seigner compete…

Movie poster for “Village of the Damned”

Village of the Damned

‘Village of the Damned’ is some solid stuff. Feels of its time in a way that makes it feel like a long ‘Twilight Zone’ episode. I’m a fan.

Cover art for "Violent Cop"

Violent Cop

Visionary auteur Takeshi Kitano writes and stars in this film about a ‘Violent Cop.’ It’s less exciting than the title promises.

Cover art for "Watership Down"

Watership Down

Watership Down is a classic adventure story with a youth-friendly aesthetic, but realizes children will eventually have to come of age and stop only watching comedies. Triumphs aren’t given by fortune but instead constant suffering full of threatening risks. The…

Poster for the movie "Whiplash."

Whiplash

A college band drummer spirals into a fierce mental conflict with his ruthless instructor. 2014’s ‘Whiplash’ is an intense psychological thriller about the pursuit of perfection.

Cover art for "Wild at Heart"

Wild at Heart

While this David Lynch film is a complete mess, if you’re able to embrace its blatant stupidity you’ll find Wild at Heart to be a fun, innocent, and unique comedy. Some of the absurdity and use of violence as comedy…

Cover art for "Young Frankenstein"

Young Frankenstein

Oh, no! Young Frankenstein is perfectly good with nothing easy for me to pick on. All I can give this one is that it was a movie almost completely focused on laughs, and I’ve laughed harder. Gene Wilder is phenomenal,…