2014
Noah’s Barks pages relating to the year 2014.
Noah’s Barks pages relating to the year 2014.

A horror manga anthology written by Masaya Hokazono, ‘Black Book’ strongly resembles ‘Seeds of Anxiety.’ (read more)

An early effort by Shūzō Oshimi, ‘Sweet Poolside’ is a short romance story between a boy and a girl who bond over their gender incongruities. (read more)

Atari: Game Over is a slight watch, recounting an abridged history of Atari intercut with an expedition to dig up the infamous “Atari E.T. landfill.” The former isn’t particularly detailed, and the resolution of the latter is a bit disappointing (they have to stop right before getting to the meat of the landfill). The real… (read more)

I watched ‘Mekakucity Actors’ because I liked the poster, not knowing it was an adaptation of a random Japanese band’s concept album. Confusion and frustration ensued. (read more)

A chimerical monstrosity of horror, drama, mystery, sci-fi, and thrills, ‘Parasyte: The Maxim’ somehow manages to excel at all of them. (read more)

Disgaea 4 follows up a controversial third entry. Does it have hope of surpassing its predecessors? (read more)

Name(s): Edge of Tomorrow / Live. Die. Repeat. This is a really fun concept. Edge of Tomorrow works as a fascination of basic wish-fulfillment, in the same way traditional time travel stories do. What if you could run through a situation perfectly? If you have a pulse you’ve played with the idea, and seeing Tom… (read more)

The blatant humor is at first concerning but soon after not at all distracting due to the central perspective being that of a hopeless cynic who thinks the world’s out to get him. Of course, it’s actually just him. Besides being funny, The Double makes its old themes poignant by the rest of its sheer… (read more)

Jotaro Kudo and company "Walk Like an Egyptian" in this world tour arc of JoJo’s Bizarre Adventure, with the powers and comedy reaching new outrageous heights. (read more)

While simpletons might like to laugh about how it’s funny to take something called "ping-pong" seriously, Masaaki Yuasa delivers a visceral, dramatic, and touching coming-of-age story. (read more)