Alternative
Noah’s Barks pages relating to the alternative music genre. Combine with other tags for subgenres, e.g. “alternative+rock.”
Noah’s Barks pages relating to the alternative music genre. Combine with other tags for subgenres, e.g. “alternative+rock.”

“She’s So High” and “Wear Me Down” are pretty good songs, but the rest of Leisure is mostly just serviceable Baggy-Madchester rock. The band tries to cover up a lack of hooks and good melodies with a lot of minor noisy psychedelic guitar wash. Sometimes it works and makes for a pleasant shoegaze-ish song, such… (read more)

Know Your Enemy is actually my favorite Manic Street Preachers (MSO) album after The Holy Bible. I don’t quite understand why it’s hated. Well, okay; I know what the criticisms are: 1. It’s different from their work from Everything Must Go and onward to this point. Why is that a bad thing? Those albums were different from what… (read more)

Lifeblood is the second-best Manic Street Preachers (MSP) album after The Holy Bible. For the first time in the MSP catalog, synthesizers take the lead and wash over the guitars, layering everything and making one of the most silky-smooth “rock” albums you’ll ever hear, while James Dean Bradfield’s vocals elevate the album to something almost soulful.… (read more)

‘Deluxe’ by Better Than Ezra sounds like a poor man’s R.E.M. Not enough strong hooks here to be a great pop rock album. (read more)

I recently went back to Automatic. It was pretty good! The Jesus and Mary Chain went full rock ‘n roll on Automatic, and that of course turned many people off. No more of the sugary pop that was on Psychocandy or Darklands, the Reid brothers are bad to the bone on this one. As usual… (read more)

Other than this first sentence, I’d like everyone to note how I never bring up The Smiths anywhere in this little review of The Messenger. Well, people will be pleased to hear the whole album is done in Johnny Marr’s distinctive playing style. This sounds like an album that could have been released in the… (read more)

Featured on the front page of RateYourMusic.com! On first listen, this has less variety in songcraft than The Big Roar. Primarily because there’s a lot less dynamics this time around. Most songs on Wolf’s Law have no surprises in them like how many tracks on The Big Roar often shifted between softer verses and loud choruses.… (read more)