
Ho-hum! I love David Bowie. He’s a fantastic artist. Yet, no matter how many spins I give Hunky Dory, I just can’t get into it. I’m not quite sure what it is about it. I think I find the sound of it not as exciting or eclectic as some of his other albums. Hunky Dory… (read more)

2/5/2026: Man, I should probably have something written for my favorite album of all time. But hopefully you can empathize with having to write about something you connect to on such a deeply emotional level. Sure, I could go through Loveless track-by-track and describe why I think every composition choice works using adjectives yanked out… (read more)

Eat to the Beat is an appropriate follow-up to Parallel Lines. Overall not as good, but very acceptable. “Dreaming” and “Union City Blue” (my favorite Blondie song!) drive it home. “Atomic” is also great, but the album version keeps the “Three Blind Mice intro” (exactly what it sounds like) which is juvenile and uninventive, really… (read more)

“Rebel Rebel” is so much better than every other song on this album that it’s ridiculous. Everything else is average glam rock. Average by the Bowie standard, of course. With Diamond Dogs, David Bowie has dragged the glam phase of his career out a bit too long and sees him start to run dry. The… (read more)

There are some serious hints of brilliance on 1969‘s David Bowie in its beautiful psychedelic/folk songs “Space Oddity” and “Letter to Hermione.” “Wild Eyed Boy from Freecloud” and “Memory of a Free Festival” also deserve some mention. Most tracks on here have interesting segments to them, like the beginning of “Unwashed and Somewhat Slightly Dazed.”… (read more)

“Modern Love” and “China Girl” are fantastic pop songs and what make Let’s Dance so frustrating. It’s clear David Bowie‘s songwriting skills haven’t dried up yet with those two tracks, so you get the impression that he isn’t even trying with the rest of the songs on here. Most likely because he probably isn’t. David… (read more)

Tonight isn’t as bad as its reputation suggests, being only a step down from Let’s Dance, which wasn’t a particularly good album by David Bowie standards, but it certainly wasn’t terrible. The singles definitely aren’t as strong, though. “Blue Jean” is the closest thing to a hit from this album, and Bowie’s had far better… (read more)

I remember hearing “Kiss Me” played on the radio all the time as a kid. Listening to it now brings a smile to my face, bringing back feelings of simpler times. I figured I’d finally repay Sixpence None the Richer for all those happy feelings and listen to a full album. This is actually a… (read more)

Another promising artist falls after a fantastic debut. Whereas Florence + the Machine‘s debut album, Lungs, was an eclectic blend of styles, Ceremonials sticks to one producer and thus only one kind of sound: Loud. Ceremonials is monotonous in its constant bombast and is simply a less engaging listen than Lungs. Imagine taking “Cosmic Love”… (read more)

Rough Trade are two independent record stores (Shops!) located in the UK. For a little over a decade now, these stores have compiled several albums of varying genres with song selected by the staff. Eventually, the record chain opened a label to their name, Rough Trade Records. Though typically a minor label, it was home… (read more)